ISBN: 978-1-915108-35-7
Published on 18 November 2025
Intimate Architecture, Tess Jolly’s second full collection, maps out a geography of previously undiscovered memories, nooks, crannies and shadowlands that turn out to be the real world articulated through a crucible of “delicate unease”: a world of vulnerability, of universal and personal anxiety, of dreams, nightmares and fault lines, but also of “endurance, desire, faith”, and “so much blue our hearts are drenched, euphoric”, a world in which love, however fragile, is the key both to artistry and to building a worthwhile future. Tess Jolly interrogates the distances we create and uphold, but can ultimately bridge.
Nightfall
I’m waiting in a car park on the South Downs
to take my daughter home from her sunset picnic.
She’s late, and as dusk morphs into night
I try to focus on radio, book, but my mind
keeps slipping, so I follow the lamps
of our bedsides and streets strung far below,
the red and white lights of rush-hour traffic
whiplashing the A-road, the sirens flashing
like blue ghost fireflies through the stream,
but at the spotlights marking the runway
I think of the Hunter that made this town famous
for the wrong reasons, I think of how often
we’d driven down the road where it smashed
into flame – and how can I turn from the carnage?
I know she needs to be walking out of the woods
with her pocketful of crumbs and her stories,
but what shapes the trees suggest, what ideas form,
and the gate is no longer a gate but a boundary
into the underworld, and I am no longer a mother
collecting her child but a mother returning
again and again to the place where it happened.
*
“Intimate Architecture houses a Gothic panorama of ghosts, grinning gargoyles and ‘gossiping puppets’ fixated on the body. A mouth is a ‘chamber of parliament debating […] the right amount to eat, the right amount to say’; a throat is ‘a ghoulish workshop’; and the head a ‘chewed skull’ trapped in the shadows where malevolent mice create ‘The Mischief’ of eating rituals. But there’s light and love amid the fear and loneliness, too, just through the side gate. There may still be dark woods, knotted undergrowth and precarious ridges to navigate, but there’s also the ‘confetti of stars’ to guide a family, a seafront where lovers ‘feast on cockles’ and an estuary that ‘glints with wishes’. Here be nightmares but also nightingales ‘who open their beaks wider to sing’ as ‘the forest imagines a different story’ in this intimate collection abundant in courage and heart.”
—Sarah Barnsley, author of The Thoughts (The Poetry Business, 2022)
Intimate Architecture by Tess Jolly
In Sara’s House
I live by Sara’s instruction. If I complete
each task successfully, I am rewarded
with a more complex chain of commands:my pulse slowed, sweat absorbed into glands,
Sara orders me to lock my voice in its casket,
tack skin to bones. When mice creepfrom the skirting, she tells me to coax them
with crumbs from my store into the stoning.
Delilah begs me to stop, knowingdeep down I can’t. Delilah is here
so I am not the smallest, so that I have
something to care for. She chatters incessantlyabout the things Sara keeps in the loft:
swivel chair, sewing machine, an assortment
of rings and our shadows crossing the wallsas we line matchbox beds into rows, roll dough
into worry beads. Warming the milk,
Sara makes me peel the backs of Delilah’shands to sticky maps and wrap the plastic
round the nightlight’s bulb, then all
the cells in Sara’s house blossom into light,beguiling the children she knows are watching
from woods where I once huddled.
Delilah’s lids click in her skull as she criesreal tears, and Sara’s excuses rattle up
through my throat in answer to the horrified
whispers, the perfumes of burning.
*In Memoriam
I want to say the keening I heard
in the garden late last nightspoke for all of us, that the foxes
had gathered to utter our loss,
but I know it was more likely
a vixen’s mating callas she hunted through bark
and bramble for her natal den.Come June, kits will venture
into the woods where you’re buried,and on the first anniversary
the vixen will cry out againfor a new litter to be born,
knowing without knowing it is time.Tess Jolly lives with her family on the south coast of the UK, where she runs her freelance proofreading and copyediting business, Poems and Proofs. She has published two pamphlets: Touchpapers (Eyewear Publishing) and Thus the Blue Hour Comes (Indigo Dreams). Her first full collection, Breakfast at the Origami Café (Blue Diode Press), was published in 2020.


