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ISBN: 978-1-915108-35-7

Published on 18 November 2025

 

Intimate Architecture, Tess Jolly’s second full collection, maps out a geography of previously undiscovered memories, nooks, crannies and shadowlands that turn out to be the real world articulated through a crucible of “delicate unease”: a world of vulnerability, of universal and personal anxiety, of dreams, nightmares and fault lines, but also of “endurance, desire, faith”, and “so much blue our hearts are drenched, euphoric”, a world in which love, however fragile, is the key both to artistry and to building a worthwhile future. Tess Jolly interrogates the distances we create and uphold, but can ultimately bridge.

 

Nightfall


I’m waiting in a car park on the South Downs
to take my daughter home from her sunset picnic.
She’s late, and as dusk morphs into night

 

I try to focus on radio, book, but my mind
keeps slipping, so I follow the lamps
of our bedsides and streets strung far below,

 

the red and white lights of rush-hour traffic
whiplashing the A-road, the sirens flashing
like blue ghost fireflies through the stream,

 

but at the spotlights marking the runway
I think of the Hunter that made this town famous
for the wrong reasons, I think of how often

 

we’d driven down the road where it smashed 
into flame – and how can I turn from the carnage?
I know she needs to be walking out of the woods 

 

with her pocketful of crumbs and her stories,
but what shapes the trees suggest, what ideas form,
and the gate is no longer a gate but a boundary 

 

into the underworld, and I am no longer a mother
collecting her child but a mother returning
again and again to the place where it happened.

 

*

 

Intimate Architecture houses a Gothic panorama of ghosts, grinning gargoyles and ‘gossiping puppets’ fixated on the body. A mouth is a ‘chamber of parliament debating […] the right amount to eat, the right amount to say’; a throat is ‘a ghoulish workshop’; and the head a ‘chewed skull’ trapped in the shadows where malevolent mice create ‘The Mischief’ of eating rituals. But there’s light and love amid the fear and loneliness, too, just through the side gate. There may still be dark woods, knotted undergrowth and precarious ridges to navigate, but there’s also the ‘confetti of stars’ to guide a family, a seafront where lovers ‘feast on cockles’ and an estuary that ‘glints with wishes’. Here be nightmares but also nightingales ‘who open their beaks wider to sing’ as ‘the forest imagines a different story’ in this intimate collection abundant in courage and heart.”
Sarah Barnsley, author of The Thoughts (The Poetry Business, 2022)
 

Intimate Architecture by Tess Jolly

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  • In Sara’s House


    I live by Sara’s instruction. If I complete
    each task successfully, I am rewarded
    with a more complex chain of commands:

     

    my pulse slowed, sweat absorbed into glands,
    Sara orders me to lock my voice in its casket,
    tack skin to bones. When mice creep

     

    from the skirting, she tells me to coax them
    with crumbs from my store into the stoning.
    Delilah begs me to stop, knowing

     

    deep down I can’t. Delilah is here
    so I am not the smallest, so that I have
    something to care for. She chatters incessantly

     

    about the things Sara keeps in the loft:
    swivel chair, sewing machine, an assortment 
    of rings and our shadows crossing the walls

     

    as we line matchbox beds into rows, roll dough 
    into worry beads. Warming the milk,
    Sara makes me peel the backs of Delilah’s

     

    hands to sticky maps and wrap the plastic
    round the nightlight’s bulb, then all
    the cells in Sara’s house blossom into light,

     

    beguiling the children she knows are watching
    from woods where I once huddled.
    Delilah’s lids click in her skull as she cries

     

    real tears, and Sara’s excuses rattle up
    through my throat in answer to the horrified
    whispers, the perfumes of burning. 


    *

     

    In Memoriam


    I want to say the keening I heard   
    in the garden late last night

     

    spoke for all of us, that the foxes
    had gathered to utter our loss,  


    but I know it was more likely   
    a vixen’s mating call

     

    as she hunted through bark
    and bramble for her natal den.

     

    Come June, kits will venture 
    into the woods where you’re buried,

     

    and on the first anniversary
    the vixen will cry out again

     

    for a new litter to be born,   
    knowing without knowing it is time.

  • Tess Jolly lives with her family on the south coast of the UK, where she runs her freelance proofreading and copyediting business, Poems and Proofs. She has published two pamphlets: Touchpapers (Eyewear Publishing) and Thus the Blue Hour Comes (Indigo Dreams). Her first full collection, Breakfast at the Origami Café (Blue Diode Press), was published in 2020.

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